“The ability of writer to imagine what is not the self, to familiarize the strange and mystify the familiar, is the test of their power.” —Toni Morrison

Born on February 18, 1931, in Lorain, Ohio, Toni Morrison is a Nobel Prize- and Pulitzer Prize-winning American novelist, editor and professor. Her novels are known for their epic themes, vivid dialogue and richly detailed black characters. Among her best known novels are The Bluest Eye, Song of Solomon and Beloved.

Toni Morrison was the second oldest of four children. Her father, George Wofford, worked primarily as a welder, but held several jobs at once to support the family. Her mother, Ramah, was a domestic worker. Morrison later credited her parents with instilling in her a love of reading, music, and folklore. At Howard University, Morrison continued to pursue her interest in literature. She majored in English, and chose the classics for her minor. After graduating from Howard in 1953, Morrison continued her education at Cornell University. She wrote her thesis on the works of Virginia Woolf and William Faulkner, and completed her master’s degree in 1955. She then moved to Texas to teach English at Texas Southern University.

Morrison became a professor at Princeton University in 1989, and continued to produce great works. In recognition of her contributions to her field, she received the 1993 Nobel Prize in Literature, making her the first African-American woman to be selected for the award. The following year, she published the novel Jazz, which explores marital love and betrayal.

At Princeton, Morrison established a special workshop for writers and performers known as the Princeton Atelier in 1994. The program was designed to help students create original works in a variety of artistic fields. Outside of her academic work, Morrison continued to write new works of fiction. Her next novel, Paradise (1998), which focused on a fictional African-American town called Ruby, earned mixed reviews.

(From www.biography.com)

Mary Anne (alternatively Mary Ann or Marian) Evans (22 November 1819 – 22 December 1880), better known by her pen name George Eliot, was an English novelist, journalist and translator, and one of the leading writers of the Victorian era. She is the author of seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Middlemarch (1871–72), and Daniel Deronda (1876), most of them set in provincial England and known for their realism and psychological insight.

She used a male pen name, she said, to ensure her works would be taken seriously. Female authors were published under their own names during Eliot’s life, but she wanted to escape the stereotype of women only writing lighthearted romances. An additional factor in her use of a pen name may have been a desire to shield her private life from public scrutiny and to prevent scandals attending her relationship with the married George Henry Lewes, with whom she lived for over 20 years. Her 1872 work, Middlemarch, has been described as the greatest novel in the English language by Martin Amis and by Julian Barnes.

Les Miserables (Trailer 2)

Les Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the nineteenth century. In the English-speaking world, the novel is usually referred to by its original French title, which can be translated from the French as The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, or The Victims. Beginning in 1815 and culminating in the 1832 June Rebellion in Paris, the novel follows the lives and interactions of several characters, focusing on the struggles of ex-convict Jean Valjean and his experience of redemption.^[1]

Examining the nature of law and grace, the novel elaborates upon the history of France, the architecture and urban design of Paris, politics, moral philosophy, antimonarchism, justice, religion, and the types and nature of romantic and familial love. Les Misérables has been popularized through numerous adaptations for the stage, television, and film, including a musical and a film adaptation of that musical.

The appearance of the novel was highly anticipated and advertised. Critical reactions were very diverse, but most of them were negative. Commercially, the work was a great success, not just in France, but also in the rest of Europe and the world.

The novel was generally well-received; reviewers noted that while the plot was sometimes chaotic, the novel’s imperfections meshed well with the flawed reality the book was trying to reflect. The Daily Telegraph commented that “Margaret Atwood is genuinely inventive, rather than merely clever”. In 2010, the novel was longlisted as a candidate for the 2011 International IMPAC Dublin Literary Award, and shortlisted for the 2010 Trillium Book Award.

Flappers were a “new breed” of young Western women in the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior. Flappers were seen as brash for wearing excessive makeup, drinking, treating sex in a casual manner, smoking, driving automobiles and otherwise flouting social and sexual norms. Flappers had their origins in the period of Liberalism, social and political turbulence and increased transatlantic cultural exchange that followed the end of World War I, as well as the export of American jazz culture to Europe.

(from wikipedia)

Sylvia Plath (October 27, 1932 – February 11, 1963) was an American poet, novelist and short story writer. Born in Boston, Massachusetts, she studied at Smith College and Newnham College, Cambridge before receiving acclaim as a professional poet and writer. She married fellow poet Ted Hughes in 1956 and they lived together first in the United States and then England, having two children together: Frieda and Nicholas. Following a long struggle with depression and a marital separation, Plath committed suicide in 1963. Controversy continues to surround the events of her life and death, as well as her writing and legacy.

Plath is credited with advancing the genre of confessional poetry and is best known for her two published collections: The Colossus and Other Poems and Ariel. In 1982, she became the first poet to win a Pulitzer Prize posthumously, for The Collected Poems. She also wrote The Bell Jar, a semi-autobiographical novel published shortly before her death.

Themes

Sylvia Plath’s early poems exhibit what became her typical imagery, using personal and nature-based depictions featuring, for example, the moon, blood, hospitals, fetuses, and skulls. They were mostly imitation exercises of poets she admired such as Dylan Thomas, W. B. Yeats and Marianne Moore. Late in 1959, when she and Hughes were at the Yaddo writers’ colony in New York State, she wrote the seven-part “Poem for a Birthday”, echoing Theodore Roethke’s Lost Son sequence, though its theme is her own traumatic breakdown and suicide attempt at 21. After 1960 her work moved into a more surreal landscape darkened by a sense of imprisonment and looming death, overshadowed by her father. The Colossus is composed of the themes of death, redemption and resurrection. After Hughes left, Plath produced, in less than two months, the forty poems of rage, despair, love, and vengeance on which her reputation mostly rests.

The poems in Ariel mark a departure from her earlier work into a more personal arena of poetry. Robert Lowell’s poetry may have played a part in this shift as she cited Lowell’s 1959 book Life Studies as a significant influence, in an interview just before her death.  Posthumously published in 1966, the impact of Ariel was dramatic, with its dark and potentially autobiographical descriptions of mental illness in poems such as ‘”Tulips“, “Daddy” and “Lady Lazarus“.  Plath’s work is often held within the genre of confessional poetry and the style of her work compared to other contemporaries, such as Robert Lowell and W.D. Snodgrass. Plath’s close friend Al Alvarez, who has written about her extensively, said of her later work: “Plath’s case is complicated by the fact that, in her mature work, she deliberately used the details of her everyday life as raw material for her art. A casual visitor or unexpected telephone call, a cut, a bruise, a kitchen bowl, a candlestick—everything became usable, charged with meaning, transformed. Her poems are full of references and images that seem impenetrable at this distance but which could mostly be explained in footnotes by a scholar with full access to the details of her life.” Many of Plath’s later poems deal with what one critic calls the “domestic surreal” in which Plath takes every day elements of life and twists the images, giving them an almost nightmarish quality.

Plath’s fellow confessional poet and friend Anne Sexton commented: “Sylvia and I would talk at length about our first suicide, in detail and in depth—between the free potato chips. Suicide is, after all, the opposite of the poem. Sylvia and I often talked opposites. We talked death with burned-up intensity, both of us drawn to it like moths to an electric lightbulb, sucking on it. She told the story of her first suicide in sweet and loving detail, and her description in The Bell Jar is just that same story.” The confessional interpretation of Plath’s work has led to some dismissing certain aspects of her work as an exposition of sentimentalist melodrama; in 2010, for example, Theodore Dalrymple asserted that Plath had been the “patron saint of self-dramatization” and of self-pity.  Revisionist critics such as Tracy Brain have, however, argued against a tightly autobiographical interpretation of Plath’s material.(from wikipedia)

THE LOST GENERATION: AMERICAN WRITERS OF THE 1920S

During the 1920s a group of writers known as “The Lost Generation” gained popularity. The term “the lost generation” was coined by Gertrude Stein who is rumored to have heard her auto-mechanic while in France say that his young workers were, “une generation perdue”. This refered to the young workers’ poor auto-mechanic repair skills. Gertrude Stein would take this phrase and use it to describe the people of the 1920s who rejected American post World War I values. The three best known writers among The Lost Generation are F. Scott Fitzgerald, Ernest Hemingway and John Dos Passos. Others among the list are: Sherwood Anderson, Kay Boyle, Hart Crane, Ford Maddox Ford and Zelda Fitzgerald. Ernest Hemingway, perhaps the leading literary figure of the decade, would take Stein’s phrase, and use it as an epigraph for his first novel, The Sun Also Rises. Because of this novel’s popularity, the term, “The Lost Generation” is the enduring term that has stayed associated with writers of the 1920s.

The “Lost Generation” defines a sense of moral loss or aimlessness apparent in literary figures during the 1920s. World War I seemed to have destroyed the idea that if you acted virtuously, good things would happen. Many good, young men went to war and died, or returned home either physically or mentally wounded (for most, both), and their faith in the moral guideposts that had earlier given them hope, were no longer valid…they were “Lost.”

These literary figures also criticized American culture in creative fictional stories which had the themes of self-exile, indulgence (care-free living) and spiritual alienation. For example, Fitzgerald’s This Side of Paradise shows the young generation of the 1920s masking their general depression behind the forced exuberance of the Jazz Age. Another of Fitzgerald’s novels, The Great Gatsby reveals that the illusion of happiness hides a sad loneliness for the main characters. Hemingway’s novels pioneered a new style of writing which many generations after tried to imitate. Hemingway did away with the florid prose of the 19th century Victorian era and replaced it with a lean, clear prose based on action. He also employed a technique by which he left out essential information of the story in the belief that omission can sometimes strengthen the plot of the novel. The novels produced by the writers of the Lost Generation give insight to the lifestyles that people led during the 1920s in America, and the literary works of these writers were innovative for their time and have influenced many future generations in their styles of writing.

(http://www.montgomerycollege.edu/Departments/hpolscrv/jbolhofer.html)

Louisa May Alcott (November 29, 1832 – March 6, 1888) was an American novelist best known as author of the novel Little Women and its sequels Little Men and Jo’s Boys. 

Raised by her transcendentalist parents, Abigail May Alcott and Amos Bronson Alcott in New England, she grew up among many of the well-known intellectuals of the day such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. Nevertheless, her family suffered severe financial difficulties and Alcott worked to help support the family from an early age. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard.

Published in 1868, Little Women is set in the Alcott family home, Orchard House, in Concord, Massachusetts and is loosely based on Alcott’s childhood experiences with her three sisters. The novel was very well received and is still a popular children’s novel today. Alcott was an abolitionist and a feminist. She never married and died in Boston.

     The Jazz age takes its name from F. Scott Fitzgerald and jazz music, which saw a tremendous surge in popularity among many segments of society. Among the prominent concerns and trends of the period are the public embrace of technological developments (typically seen as progress)-cars, air travel and the telephone-as well as new modernist trends in social behavior, the arts, and culture.
Central developments included Art Deco design and architecture. A great theme of the age was individualism and a greater emphasis on the pursuit of pleasure and enjoyment in the wake of the misery, destruction and perceived hypocrisy and waste of WWI and pre-war values.

In Literature

     Perhaps one of the most representative literary works of the age is American writer F. Scott Fitzgerald’s The Great Gatsby (1925), which highlighted what some describe as the decadence and hedonism of the post-WW1 age, as well as new social and sexual attitudes, and the growth of individualism.
     Fitzgerald is largely credited with coining the term, which he used in such books as “Tales of the Jazz Age.” The second novel that he wrote, “The Beautiful and Damned” (1922), also deals with the era and its effect on a young married couple. Fitzgerald’s last completed novel, “Tender Is the Night,” takes place in the same decade but is set in France and Switzerland not New York, and consequently is not widely considered a Jazz Age novel per se.
     Additional works on the Jazz Age might include Thomas Wolfe’s titanic 1935 book “Of Time and the River,” which takes its protagonist from the depths of the Carolinas, to Harvard, and finally to New York in the 1920s, but for a truly harrowing view of the end of the Jazz Age, Wolfe’s “You Can’t Go Home Again” is recommended for its party scene on the night of the 1929 stock market crash. Edith Wharton’s late novel “Twilight Sleep,” set in New York and written in 1927, is a great example of social critiques of Jazz Age values and lifestyles. Additionally,The Rosy Crucifixion of Henry Miller, “Sexus,” “Plexus,” and “Nexus,” is set in New York during this period. (http://www.squidoo.com/jazzage)